Entry 0371: Dating of the Texts in which Aquinas
Uses the Expression actus essendi
Aquinas uses the expression actus essendi several times in his
commentary on Boethius’s De hebdomadibus.
Torrell, for his part, seems to agree with this dating
but is inclined to think that the commentary on Boethius’s De Trinitate was written first. Thus Torrell writes: “Historians
habitually mention these two works one after another because of their common
subject. In the preface to the Leonine edition, Father Bataillon thinks
instead—given the internal data that reveal differences—that the Expositio libri Boetii De hebdomadibus is
probably later than the Super Boetium De
Trinitate. But without external data that would permit us to situate it
better (through dated sources, for example), Bataillon declares himself unable
to propose a precise date” (Jean-Pierre Torrell, Saint Thomas Aquinas: The
Person and His Work - Volume 1, trans. Robert Royal [Washington , D.C. :
The Catholic University of America Press, 2005], 68). Torrell then concludes that “The date of this work is doubtless later than that of the other
commentary on Boethius, but the current state of research does not allow us to
specify the date further, nor its circumstances” (Torrell, Saint Thomas
Aquinas, 345-346).
Text no. 13: Exposition of Boethius’s De hebdomadibus, lectio 2.
This work seems to have been
composed between 1257 and 1259, during Aquinas’s first regency in Paris . This is the
opinion of Eleonore Stump who writes: “Aquinas’s commentaries on Boethius’s De Trinitate (On the Trinity) and De hebdomadibus
(sometimes referred to as ‘How Substances
are Good’) are his other philosophically important writings from this
period of his first regency” (Aquinas
[New York: Routledge, 2003], p. 4).
The Oxford Handbook of Aquinas also situates the composition of the
commentary on Boethius’s De hebdomadibus
around 1257-1259, the same date that they report for the composition of the commentary
on Boethius’s De Trinitate. (See The Oxford Handbook of Aquinas, ed. Brian Davies and Eleonore Stump [New
York : Oxford
University Press, 2012]
534.)
Brendan Thomas Sammon places
the composition of this commentary on 1258. (See B. T. Sammon, The God Who Is Beauty [Eugene , Oregon :
Pickwick Publications, 2013] 207.)